With the Diva’s Revolution in full effect, it’s certainly an appropriate time to look back at the history of female grappling. But while undoubtedly well-written and comprehensive in scope, the format of this book can often be frustrating.
The strength is the wide range of the book, giving due attention to various eras of female grappling from the pioneer years to the Fabulous Moolah era, the Rock ‘n’ Wrestling connection days, the Diva period and the modern day, along with separate looks at Japan, the rest of the world and the independent scene.
As with Laprade’s Mad Dogs, Midgets and Screwjobs, which covered wrestling’s rich heritage in Montreal, the writing flows well, with quotes taken from a wide range of sources; it’s clear the writers have not skimped on effort or research.
The main problem is that rather than a broad chronological or thematic history, it’s presented as a series of profiles of female wrestlers, verging on encyclopaedic format. This brings several disadvantages. One is that the wider story of women’s wrestling’s evolution is somewhat erratically told. In particular, there’ll often be a teasing reference to an incident or event (such as the first women’s match in New York) that’s then left hanging until later in the book when another wrestler is profiled.
The laudable aim of covering as many names as possible also has drawbacks. For those women such as Mildred Burke or Moolah with rich stories to tell, the profiles inevitably only scratch the surface. In other cases even a few paragraphs feels like a stretch with the emphasis on dates and title reigns giving the impression there’s no particularly compelling human interest story to tell.
British readers may be particularly disappointed when what’s trailed earlier as a dedicated section turns out to be a matter of a few paragraphs listing names and then a solitary profile of Sweet Saraya.
More positive points include a handful of special sections breaking up the profiles to detail a specific event or setup, be it GLOW, the controversial Wendi Richter-Lady Spider bout, or the 1994 AJW Tokyo Dome show. There’s also some welcome even-handedness with both sides of controversial issue’s such as Moolah’s control of her stable given a fair hearing.
Overall it’s not quite a comprehensive history of women’s wrestling to rival the Montreal book, but certainly serves as an appetiser for fans of contemporary wrestling to learn more about the women wrestlers of the past before moving on to a more focused volume such as Jeff Leen’s ‘Queen of the Ring’ which details the Mildred Burke era.